Prikaz objav z oznako Fashion. Pokaži vse objave
Prikaz objav z oznako Fashion. Pokaži vse objave

torek, 3. junij 2014

Lupita Nyong"o Shows Us The Right Way To Wear A Tricky Trend At The CFDA Fashion Awards - Webmaster News

New Post has been published on http://www.outils-webmaster.eu/lupita-nyongo-shows-us-the-right-way-to-wear-a-tricky-trend-at-the-cfda-fashion-awards/



Lupita Nyong’o may have thrown us for a loop with her outfit pick for the Met Gala, but she more than redeemed herself at the CFDA Fashion Awards Monday night.



The style sweetheart and presenter arrived on the red carpet to fete this year’s biggest industry achievements in a pair of Suno culottes and Sophia Webster pumps that make our summertime hearts sing. Everything from the pattern to the nautical color to the cut is on point. And is that A CROP TOP? Yes, we believe it is. We are also loving the hair. If you couldn’t tell, we are really into this whole look.



After her epic entrance at the Polo Classic last week, we think it’s safe to say that this lady knows how to stay super cool despite the rising temperatures.



What do you think of her look? Sound off below!



lupita



Source http://www.huffingtonpost.com/2014/06/02/lupita-nyongo-cfda-fashion-awards_n_5434674.html?utm_hp_ref=style&ir=Style





nedelja, 1. junij 2014

Beats Solo² Headphones Sound Great, But You"re Paying for Fashion - Webmaster News

New Post has been published on http://www.outils-webmaster.eu/beats-solo%c2%b2-headphones-sound-great-but-youre-paying-for-fashion/

Beats_headphones-3Beats



Mashable Choice highlights the products and services we’ve tested and would recommend to others. Consider it Liked, Favorited, +1′ed and Pinned.



It’s a big week for Beats. Not only is Apple buying the company for $3 billion, but Beats just announced the successor to its best-selling Solo headphones, the Solo2.



Beats says it sold four pairs of Solos every minute in 2013 — making it one of the most successful headphone models ever. With the Solo2, Beats is focused on making the iconic smaller on-ear headphones even better.



Like 2013′s Beats Studio and Beats Studio Wireless headphones, the Solo2 have been redesigned from the inside-out to have a wider range of sound, better clarity and a more streamlined design.



The Solo2 headphones look right at home next to the 2013 Beats Studio and Studio Wireless models. The Solo2 are available in black, white, red, blue, gray and pink. They’ll cost $199.99, available for pre-order at www.beatsbydre.com today and will be widely available at retailers and online on June 1.



You gotta hand it to Beats, the company knows how to make beautiful headphones. The Solo2 are some of the most attractive smaller-cup earphones I’ve seen.



The overall design is very similar to the original Solo and Solo HD headphones, but the curves and lines are more streamlined to match the changes to the Beats Studio line. That means there are no visible screws — which makes these look more like a premium design.



Beats has done a great job with the color and paint finish on the Solo2. We received a sample in gray — which really looks more like a slate blue — that are just stunning. The paint is glossy, but at least in this color, they are not fingerprint magnets.



One of my favorite touches is that the headphone cable matches the headphones exactly. If you buy the Solo2 in black, you get the standard red Beats cable, but every other pair feature a matching 3.5mm jack.



The headband is curved at the center — which is supposed to allow for a more custom fit. The headband itself is metal and can extend as needed. I’ve had more than one pair of Monster-era Beats snap in half at the headband — in one case without ever even leaving my office. I haven’t had time to fully stress-test the Solo2, but it feels much less likely to snap in half.



Beats Solo 2



Image: Mashable, Christina Ascani





Like most Beats, the Solo2 can fold up to be quite compact. The folding hinge feels secure. The only thing to be aware of is the snapping noise that emits every time you fold up the phones. The noise, coupled with how light the headphones feel might make you think you broke something. You didn’t. The hinge is just a little loud.



Although I would feel totally comfortable tossing the Solo2 while folded into a purse or into a compartment or pocket in a messenger bag, it comes with a neoprene headphone case. This is nice if you want a little more protection, particularly if your bag doesn’t have sections or pockets.



The Solo2 earcups are now made from the same material as the Studio and Studio Wireless headphones. It’s plush and soft, and the material is designed to let heat out but keep sound in. For the most part, it achieves both of those goals. If you’re pumping music at a high volume, some sound might leak through, but this is minimal.



As for heat, the pads are breathable, but I still noticed that my ears were warmer while wearing the Solo2 than other headphones of this size.



I attribute that heat with the smaller size of the cups. Because the Solo2 cups are smaller than what you find on the Studio line, the fit can be pretty tight. I have a small head, but still found my ears hurting after wearing the phones for a few hours.



Adjusting the band at the top helps a bit — but it’s still a bit too snug for comfort. After I’ve had more time to break them in that will probably improve, but the phones are tight.



I did find that adjusting the position of the band — and where the cups sit — can make a big difference on the overall comfort and tightness. The only problem is, at least for my head, that takes a bit more fiddling than what I normally do for on-ear headphones.



Although I hasten to call myself an audiophile, I must confess to being one of those annoying audio snobs who claims to be able to hear things she probably actually can’t. I’ve also managed to amass lots of headphones and even more inner-ear monitors over the years.



I’m taking those experiences — and in some cases, straight-up comparisons — to evaluate the sound of the Solo2.



Amongst audiophiles and audio snobs like me, Beats don’t have the best reputation — especially in its price range. The Monster-era Beats were famous for being far too heavy on the bass and offering distorted, muddled sound for other types of music.



That quality, coupled with the premium price and the iffy build quality made it hard to love Beats. Fortunately, Beats was listening. At the end of 2012, Beats ended its partnership with Monster and started transitioning to building its headphones in-house.



Beats Solo 2



Image: Mashable, Christina Ascani





Last fall, Beats introduced redesigned versions of the Beats Studio and Studio Wireless over-ear headphones, engineered for better sound. I got a review pair of the Studio Wireless Bluetooth headphones earlier this year and I must say, I was blown away by the difference in quality compared to the Monster-era Beats Studio model.



In fact, if I’m being honest, the Studio Wireless are my current favorite Bluetooth over-ear headphones. The noise cancellation isn’t quite as good as the Bose QuietComforts, but I like them better overall.



Because I was so impressed by the turnaround with the Studio line, I went into reviewing the Solo2 with high hopes.



The good news: the sound quality is much better than the Solo or Solo HD. Yes, Beats are still tuned to be more bass-heavy, but that no longer means other types of music are hard to listen to. The overall range is much better and there is a lot more clarity, especially for string instruments.



The reality check: Even though the sound is much improved, you can still get better-sounding headphones for $200.



While checking out the Solo2, I listened to a variety of music genres on my Mac, my home audio receiver and on my iPhone 5S. I also listen to both lossless high-fidelity recordings at 24-bit/96kHz, lossy MP3s and AAC files and streaming music from Spotify.



The Solo2 sound best, unsurprisingly, when listening to hip-hop, dubstep and electronica. That said, I was pleasantly surprised by how well the headphones managed to sound when listening to some Cat Stevens.



Where the Solo2 didn’t hold up at least compared to the Sony MDR-1R headphones I have at home and the Klipsch Image One headphones, it did great with certain types of rock — particularly with more of a punk twist. The high-tinged guitars and vocals didn’t flow as well as on other less bass-heavy headphones.



For non-musical listening, podcasts, computer sounds, TV — the Solo2 sound just fine.



If you primarily listen to hip-hop, electronica or dubstep — the way the Solo2 are tuned might be perfect.



The Solo2 also has a built-in microphone and playback controls on the cord. It worked well on iOS and on OS X. I made a few phone calls with the microphone and had no complaints about my sound quality. A test recording I did came out comparable to the microphone quality on the Klipsch Image One.



My only real problem with the Solo2 is its price. At $99, these would be an instant-recommendation. For $150, it wouldn’t be out of line against similar size headphones from other vendors.



Beats is in an interesting position because brand awareness and aspirational levels are through the roof, but the company still has to fight back against the sins of its past manufacturing partner. For that reason, I wish the price was $150, if only to help dispel the notion that Beats are overpriced and sound bad.



The truth is, you can get some very nice headphones for $200. To be sure, they won’t be as attractive or fashionable, but they will sound better — especially if you prefer a flat experience.



So the question becomes, how much are you willing to pay for fashion? I for one, am not averse to paying for fashion, provided you understand that that’s what you’re buying going in. For $200, the Sony MDR-1R have superior sound. They’re also larger, don’t fold up as nicely and can’t coordinate with your kicks or your dress.



If your ultimate goal with buying a pair of headphones is to get the best quality for you money, the Solo2 are not for you. However, if you want something that will sound good — especially for hip-hop and dubstep — and look fashionable, the Solo2 fit the bill. Just be aware that a lot of what you’re paying for is the logo and the aesthetic.



Great design • Audio quality is improved from the old models • Sound great for EDM and HipHop



Fit is a little tight • Has some problems with treble • Better sounding headphones are available for $200



Beats Solo2 are a big upgrade from the last generation, but the biggest appeal is still fashion.



Have something to add to this story? Share it in the comments.



Source: http://mashable.com/2014/05/29/beats-solo-2-review/?utm_medium=feed&utm_source=rss



sobota, 31. maj 2014

It Was An Amazing Week For Fashion In Hollywood, According To Our Best Dressed List - Webmaster News

New Post has been published on http://www.outils-webmaster.eu/it-was-an-amazing-week-for-fashion-in-hollywood-according-to-our-best-dressed-list/



It was one of the best weeks of the year in Hollywood — at least when it came to the outfits!



Emily Blunt hit it out of the park not once but twice, Elle Fanning looked like a modern-day princess in a sparkly gown and Chloe Grace Moretz wore what could easily be our most favorite look ever.



Check out the best-dressed stars of the week and let us know if you agree with our picks.



Rosie Huntington-Whiteley in Emilio Pucci



rosie



There are a few things that are amazing about this dress. First of all, the color. Yellow is exceptionally difficult to pull off because if you pick the wrong shade, it can look awful against your skin tone. But this canary yellow gown is magnificent on the model, as is the expert draping and the subtle cut-outs.



Elle Fanning in Elie Saab



elle



Fanning plays a princess in her latest film “Maleficent,” but in real life, she also looks like royalty. The actress stunned in this off-the-shoulder periwinkle embellished gown which was contrasted nicely by her tough-girl choker.



Emily Blunt in Osman



em



This dress is striking because of the rich colors, scalloped neckline and calf-length hemline. The fit is spot on, as was her choice to wear pink pumps. A+, Blunt.



Charlize Theron in Stella McCartney



charlize



Yes, this may be a simple look, but Theron looks damn sexy. The short hemline on her LBD is balanced out perfectly by its boxy silhouette and longer sleeves, while her red lipstick and strappy heels seal the deal.



Chloe Grace Moretz in Chanel



chloe



This is possibly the best outfit of 2014. The wide-leg pants paired with the knit panel is so chic and unexpected, while the crop top with black trim and straw hat makes her look like the picture of summer. We wish we could dress like this every single day.



Heidi Klum in Jenni Kayne



heidi



Jumpsuits are nice for spring and this color-blocked one Klum is wearing is a great example. Though the fit on the bodice could be slightly better, we are willing to give it a pass since the hair, makeup and shoes are perfect.



Emily Blunt in Prada



emily blunt



Not only does this ensemble feature our favorite color-combo (red and pink), but it looks as though this dress was made for Blunt– it fits her like a glove.



Source http://www.huffingtonpost.com/2014/05/30/best-dressed-list_n_5412622.html?utm_hp_ref=style&ir=Style





sreda, 28. maj 2014

Want To Be A Fashion Editor? Here"s What You Should Know - Webmaster News

New Post has been published on http://www.outils-webmaster.eu/want-to-be-a-fashion-editor-heres-what-you-should-know/

“How To Actually Make It In Fashion” is a new HuffPost Style series that profiles women across every area of the fashion industry and explores how they rose to the top, how they thrive and practical advice they have for young women and men trying to break into their world.



When you think of the editor-in-chief of one of the most popular fashion magazines in America, you probably don’t think of someone who makes you laugh, drops “Jerry Maguire” references and is obsessed with khakis and scrunchies. But such is the case with Eva Chen, the editor-in-chief of Lucky Magazine.



So how did she get there? Chen was born and raised in Greenwich Village, New York City “before it was filled with celebrities and Alec Baldwin punching people,” and found her path to fashion domination in an unlikely way. The editrix was a pre-med student in college and worked as a paralegal for a couple of months after graduation, but she eventually decided on a career in publishing even though her paralegal salary far exceeded that of even a senior editor. With over a decade of experience working for magazines, including stints at Elle and Teen Vogue, Chen is one of the few editors who effectively bridges the gap between print and digital, embodying what it means to be a 21st-century editor — she’s the rare print mag editor with over 188,000 Instagram followers.



Lucky for us, we got to sit down with one of the most influential players in fashion right now and pick her brain on what NEVER to wear to a fashion interview and the one thing you can do to set yourself apart when you’re gunning for a job.



eva chen 1



On whether or not you need to go to journalism school to be an editor:



You do not need to go to journalism school if you want to work in the fashion industry. I think high schools condition you to think this way: If you want to be a fashion editor, go to fashion school. If you want to be a writer, you should study journalism. I think that the best school in life is experience. I think that practice makes perfect and I can say that even now, as someone who has been writing and editing professionally for about a decade. It has taken me 10 years to solidly define my voice and solidly feel secure in what I am doing, and that is a testament to practice.



I get asked that all the time — I do informational interviews, usually one or two a week, and one of the top questions I get from young people, and young writers especially, is, “How do I find my voice?” You find your voice by writing and you find your voice by reading a lot, and I feel like that has definitely been the case for me. My advice for young people is, study what you love and intern in what you want to do. And I think it’s okay to pivot as many times as you need to.



On what to wear to an interview in the fashion industry:



You should not wear a suit to an interview. That is all. Period [laughs]. No, you should not wear a suit to a fashion magazine interview unless you are interviewing; even on the corporate side or the business side, a cute blazer is totally great. It’s tricky interviewing to work at a fashion magazine or in the fashion industry, because I think it can go two ways: People can either dress very corporately and wear a suit and look totally wrong, but sometimes I see people who think they’re interviewing to be a designer or to be on the runway, and they’ll wear a crazy outfit. I’m looking for someone who shows their personal style, who looks comfortable in their own skin, who looks professional. But it is very personal. I always say to people, “You know that outfit that when you walked down the street, you were like, ‘I’m really into my outfit today’? Wear that.”



On what NOT to include on a resume:



I’m not looking for a picture of yourself. I’m not looking for hand-calligraphed kind of stuff. I’m not looking for anything handwritten. I’m looking for… you know when you watch ESPN (I don’t actually watch ESPN), but for a few months there was a countdown to the Super Bowl, and I would see all the football players with their stats sheets? That’s what I’m looking for. It’s your highlights reel of what you’ve done. It can be work with campus organizations or it can be internships, but I want it to be straightforward things you’ve done.



On how to wow ‘em with your cover letter:



What I look for in a cover letter is personality and not a regurgitation of what’s on your resume. That’s a mistake that a lot of people will make, where they will send in a resume and a cover letter and the cover letter will read: “First, I interned here…” I can see that in your resume — what I’m looking for in your cover letter is that you have to convince me that you want to work at Lucky. Who are the photographers that we started working with that you love? Who are your favorite bloggers that you’ve seen in the magazine? What are the brands that you’ve discovered in Lucky that you hadn’t heard of before? I want someone to show me that they are really and truly an enthusiast of the magazine and culture we perpetrate here at Lucky.



On the importance of two thank you notes:



Back in my day, it would be just be a handwritten [thank you note] that I would hand-deliver to the messenger center the morning after, so by noon, there would be a handwritten note on the person’s desk. Nowadays, we move at the speed of light so I imagine you would do an e-mail [right after the interview] thanking someone, clarifying your passion and touching on something that you talked about that excites you about the position.



A handwritten note is still nice, but it can go in the mail now that you’re doing an e-mail as well. That’s just me, though — I’m weirdly old school about stuff. The veteran generation of people in the magazine industry bemoan young people and their kind of lack of social skills — “Oh, they’re so entitled, they don’t know how to write, they only think in Instagrams…” I think that the road map for success for a lot of young people today is understanding and operating in a world that’s not operated by your peer group — so being old school and new school at the same time.



eva chen



On the most common mistake newbies make in the workplace:



It’s a delicate balance of being proactive and inquisitive and involved, but it’s a fine line because you don’t want to be a pushy and entitled kid. That’s where common sense comes in. It’s harder in this day and age. It’s probably different with me because I present such an open book on social media, where I am like, “Here is me with six cartons of ice cream,” and I think that people feel… a “connection” sounds very serious, but they feel like they know me [and] sometimes people will almost be too familiar. This happens in informational interviews, when it gets a little too familiar — I could still hire you, and if you’re treating me like I’m your 21-year-old best friend, that is not going to get me to hire you.



On the most important quality in an employee:



A good attitude is really important. And a sense of optimism, someone who has ideas and isn’t afraid to pitch them no matter what level she is. Someone who is proactive. Someone with efficiency and common sense. They don’t always go hand-in-hand, common sense and, well, everything else. And someone who is able to multitask. I think that in this world today, and especially in fashion, there are a lot of people who are specialists, who are really good at one thing, and I think nowadays it’s great if you’re good at many things. And hunger. It’s weird to say — not hunger in the literal sense like “I could really go for a Rice Krispies treat right now…” (which I could) but hunger to keep learning and growing. And someone who does not stir fill-in-the-blank-bad-word up.



On the future of print magazines in a digital age:



Print is very important because I think there is nothing like the tactile sense of picking up a magazine. You tear things out — it’s called a tear sheet for a reason. There is technology that we have at Lucky where you can take a picture of something with a digital watermark that then takes you to a link where you can buy it right away. American woman do not use that technology. In Korea and in China and in Japan, NFC technology and QR codes are basically how you function. You go to 7-Eleven in Korea and you scan something and you buy it, instantly. So I think that there is a disconnect between what people say that they want — “Oh, we want something that is digital, 360, etc.” and what they actually like. So I think that we are catching up.



I think it will be trickier, to be completely honest, for news magazines and tabloids. Because by the time you hear about some celebrity scandal, you read about it 600 ways on Twitter. And by the time you get the print magazine one week later, you’re like, this is old news… Alec Baldwin has punched seven people since then. The way I want fashion to embrace digital more is I want to make the experience of shopping print to shopping in a store more seamless. Right now, if you’re on Luckymag.com or, say, Fashionista.com and you say, “Oh, I love this thing,” you can click to buy it, whereas it’s not that seamless with print.



This interview has been edited and condensed.



Source http://www.huffingtonpost.com/2014/05/27/fashion-editor-career-advice-eva-chen-_n_5372007.html?utm_hp_ref=style&ir=Style